Sha Na Na vs. Happy Days: The Final Conflict Christmas Set
Friday, December 25, 2009
Rare and Unusual Christmas Train Sets
Sha Na Na vs. Happy Days: The Final Conflict Christmas Set
Monday, December 21, 2009
Xmas at the Gym In Bangkok
- Songs about being a vampire.
- Any song about the First World War and What it's Done to the Narrator of the Song.
- Slavery Work Songs, particularly those dealing with the construction of railroads.
- And song where the lyrics about how much blood there is and how it won't stop coming out.
- Bernard Herman: Psycho, Taxi Driver
- All Songs About the Devil
- Devil Music
- Songs by and about Satan
- Rap songs about Mongols and Lane Bryant Models
- The Three M's: Monarch, Mortician and Black Sabbath
Tuesday, December 15, 2009
My Avatar Spoilers
- Less like Aliens, more like Titanic, especially with all the Celine Dion songs.
- Not advertised as musical
- Film begins with James Cameron in an empty studio asking audience to close their eyes and be open to the power of “wonder and imagination.”
- 3-D effects impressive: blue people's tounges feel like sand paper.
- Subplot involving kid on 1980’s Earth trying to help by reading magic read-a-long book seems forced and really drags.
- Less like Terminator, more like Fraggle Rock with boobs and VTOL.
- Interactive part of movie allows audience to "get down" and dance with aliens.
- Lance Henriksen surprisingly limber during final dance showdown.
- 3-D glasses comfortable. Revolutionary technology involves putting tiny magic ticket under tounge.
- Main theme song "Avatar" is just the 1980 ELO/Olivia Newton-John single "Xanadu" with the word "Avatar" dubbed in.
- Alien planet: clothing optional
- All in all, James Cameron's edgy high-tech re-imagining has heart and some the charm of the original, but is incredibly violent compared with the original Smurfs it is an adaptation of.
Monday, December 7, 2009
Hollywood Bablyon
For NK
It was Hollywood and she was the real thing, except for the parts that were made from cartilage and fat sucked from other bodies. That part was a dream, like the sun setting between two hills that were like firm nipply breasts that were on fire and all the kids danced the sock-hop, they did the fug and walked through mirrors with slicked hair and the smell of Fresca. She had a convertible; I had a motorized surfboard with wheels. I had a switchblade, she had pregnant nunchucks. Pregnant with what? Pregnant with “WaaaaaaaaH! Blam!” : parking meter decapitated.
We went to club and danced aggressively, like a bear and a shark that spot each other across a crowded gym and the air is filled with bad techno and they keep working out until the machinery breaks down and everyone is dead and they have no choice but to fight it out with weights snapped in half and dead fit people. Yeah we danced like that. Other people’s faces melted off. People shook like planes coming apart in our turbulence. I bought her shots of whisky. She said she had never drank no whisky before. She said it tasted like her mother’s blood.
We danced hard. I made that move I make where it’s like I shoot beams out my eyes and she danced like she was like blinded. She danced like she had one roller skate on and was being chased by a terrier. I danced like I was a ship and the shipbreakers. She dived in the lap of the guy in the wheelchair and rode him across the bar. I punched the saxophone and dented it. It was a crazy scene. Eventually we had two fire extinguishers and were just whaling on each other.
After the club closed we walked down the street. She was glimmering with sweat. The stores were closed so I broke into the Natural History Museum to get her a soda. I took the mammoth coat off the caveman and put it over her shoulders. She knocked me into a dinosaur and a space probe. I told her that I wanted her to be the empress of the empire development project deal thing that I had been working on that some really important people had expressed some interest in. She didn’t reply, and instead cuddled with the stuffed penguin and Eskimo she was holding. We didn’t go to the Egyptian wing. It was time to go.
I slid into the seat next to her. It was still a fine early morning. As we drove along the grey ribbon of highway we listened to oldies, broadcast to us from distant galaxies, millions of light-years distant, singing songs of love and loss in vanished civilizations and extinct species with too many arms and eyes. And I wanted her then. I wanted to make love to her so I could show her the happy trusting face I make after making love as well as a little house I had made out of peanuts. I wanted her, in the sheets next to me, looking at my peanut house.
I held her hand. I tried to pull her close, but she pulled away. I felt it then, the curse. The mummy’s curse. She was his girl. Toungless, eyeless, dry as dust. Old money, the oldest. But what was all that now? Could she really be into him just for a few gold trinkets and a social set and cache that was millennia out of date?
Oh, he was elegant in his shuffling, tongueless way. The way he wrote her little notes on papyrus that were all just squiggly little pictures. The way he moaned when she came back to him. The whole I-came-back-from-the-dead-to-love-you routine. Even now, he’d be back at the condo, lounging about in a track suit he filled out like a bag of bones, watching the History Channel. It made me mad, just thinking of his old man stinky hands all over her, smelling of frankincense, myrrh and dead, dead man.
And so we drove on, into the valley of kings that came and went like the waves of box office returns.