(§245) The speech of evil and infernal spirits is likewise natural to them because it is from affections; but it is from evil affections and consequent filthy ideas, to which angels are utterly averse. Thus the modes of speaking in hell are opposite to those of heaven; and in consequence evil spirits cannot endure angelic speech, and angels cannot endure infernal speech. To the angels infernal speech is like a bad odor striking the nostrils. The speech of hypocrites, who are such as are able to feign themselves angels of light, resembles in respect to words the speech of angels, but in respect to affections and consequent ideas of thought it is the direct opposite. Consequently, when the inner nature of their speech is perceived as wise angels perceive it, it is heard as the gnashing of teeth, and strikes with horror.
De Caelo et Ejus Mirabilibus et de inferno, ex Auditis et Visis
Emmanuel Swedenborg, 1758
In 19--, an associate professor at the University of C-----o did an analysis of a sampled nonsense language from a children’s television show as an exercise in comparative linguistics. To his astonishment, however, the nonsense language could be ascribed an apparent high degree of complexity and regularity in terms of apparent syntax and internal organization, atypical of glossolalia and more like a natural language. Further, the structure and pattern of the apparent language seemed unlike Indo-European inflected languages and more like an Austronesian isolating language.
Upon further inquiries, it appeared that the show was produced in the United States, but edited from unlicensed source material with minimal English language narration and scenes added to provide context, continuity and educational content to the puppet performer sequences where the nonsense language was used.
Further questions arose as to how the show was filmed, particularly the elaborate puppet segments and their alien setting. The degree of detail and peculiar range of movement displayed by the puppets called into question the actual scale of the puppets and what was inside of them. Most adult viewers had assumed a forced perspective and extensive use of miniatures created the fantastic locales that the puppets inhabited and that the "smoky god" that illuminated their world was just a lamp.
Asemics, July 1982
With the disastrous success of the Montauk and the Mohole and Kola Superdeep Borehole Projects, it became obvious that the Satanic language provided by the OTO was as obsolete as the Ancient Greek, Egyptian and Sumerian phonemes that had been cut-up into glossolalia by its original practitioners…
The failure of Lingferno and other mathematically derived language approaches is usually attributed to the incommensurability of infernal numbers, particularly its dependence on division by infernal zero, absolute negative values and the value of infernal negative zero to the zero power being whatever the interlocutor thinks it is not (readers may refer to Hunt on "The Thousand Cuts Problem and Other Satanic Math Problems").
Serious researchers therefore turned to Desperanto, an artificial pastiche coddled out of the roots of obscenities and blasphemies from every human language….
As pragmatics gained more acceptance above ground, this too was reflected in infernal linguistics' reappraisal of traditional diabolics in terms of the original context of most ritual communication. It is now widely accepted that just as heavenly language is a mixture of context, angelic facial expression, affections, gesture and pure thought, infernal language is equally context bound, being articulated through violence, crime, diabolical expressions and satanic gestures, undying hatred and willful spite. The complex and verbose rituals of the first generation of satanic interlocutors received some justification and now it is typical for a team to have at least one orthodox Satanist on hand for such purposes.
“Milestones in PROJECT CEREBUS” SITI Chronicle, August 2008
One morning, after breakfast, my master announced we were traveling. He had heard/dreamed of our unfortunate brethren amid the stones and bright darkness of Heaven and had resolved to set out to see them himself to see if he could help. It was a matter of doctrine that those in paradise cannot receive aid, but in this, as in so many other things, my master was of his own mind and determined to see for himself and form his own judgment.
We stopped for lunch a mountainside café that was most refreshing and quaint… The mine had been abandoned, like the town, since the disaster. The tailings formed a slippery road to our destination.
Though I was only adept to the Third Darkness, I knew the Blind Way well, and followed my master’s descent agile as a drop of water spilling into a rocky chasm. He seemed to make haste in our descent. For us this near vertical descent was no more difficult than a set of steep stairs.
As we descended, the earth began to swaddle us in her mother’s warmth, the air burned and the rock grew soft beneath our grip. I was used to such extremes from our practice of meditating in ovens and burned not.
We came to an area called “the falls.” It was here that many angels and other such beings were said to gather on their way to and fro the cities of Heaven.
We sat on this ledge to meditate.
We had only sat for a few hours when the citizens of that deep place indeed began to appear. I was aware of their presence for a long time by the scratching sounds they made as they dragged their angelic bodies about. They were as described and I dared not actually behold them. Indeed, the whole of heaven is filled with such creatures, all in highest exultation and singing a continual chorus of joy. It is this sound with which the earth sings.
Upon realizing I observed them, they began to gather and disport themselves in an angelic way, making such threats and obscenities as divine creatures habitually make as greeting. They began to make good upon their offers of hospitality, but finding my master unmoved, they began to disport themselves by holy displays of fornication, profanity and violation upon each other. Host upon host of creature began to combine in an incredible hallowed gathering that writhed and reeked. I had never contemplated such things, such a degree of holiness before and my heart leapt and I began to sicken.
However, in my meditation, I felt the calming hand of my master. Did he point? Or rather he pointed by not pointing.
I realized that in all these grotesque, cruel and blessed sports, our hosts were like children. My attention animated them, my own desires fed them. Humbled, I returned to the most basic mantra and they vanished from whence they came. We finished and stretched, much refreshed.
As we had to return before nightfall, we began our ascent.
On our ascent, we encountered an angel, or spirit, apparently lost, like a bird in an attic, between two worlds. The creature begged water. My master poured some. In the creature’s hands it boiled away into a scalding cloud. The creature bleated in surprise and dismay, apparently unused to its unfortunate form.
My master smiled and poured again.
Nearer the surface, we encountered a food vendor coming down, apparently going to market. The wagon wheeled toward us, the scorched and roasted victuals swung before me, dribbling fat from the ends of its fingers, from which the nails still clung. In the wrists, ragged holes.
On our way back home on the surface, my master's only comment was: “Ha, what a terrible place. I would not like to go there again."
Dim-Sook, Dim-Waz: Being an Account of My Induction, My Training In That Secret Order, Travels With My Master and Final Banishment From That Order with Some Simple Explanation of the Practice (Though Forbidden) and Helpful Diagrams and Tips,
Author, Date Unknown
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